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Warner Bros. Ellison raises the stakes.

Netflix wanted the machinery. Then Larry Ellison stepped in with a personal guarantee of $40 billion. Owning media is now a political asset as well as a financial one.

THE GIST ON WARNER BROS: "Netflix vs Ellison"

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Watch "Netflix vs Ellison": The Gist on Warner Bros.

What changed in the Warner Brothers deal?

David Ellison is CEO of Paramount Skydance, which already runs a major Hollywood studio, a broadcast network and a global content operation. When his camp moved towards Warner Brothers, it stopped being a question of ambition and became one of scale.

Netflix's interest is easy to understand: it wants Hollywood's machinery in-house, studios, IP and production capacity, so it doesn't keep renting them.

What did Larry Ellison do?

Larry Ellison, founder of Oracle, David's father and one of the richest people in the world, personally stepped in with a guaranteed $40 billion to make the financing unquestionable.

The focus is risk and leverage. Paramount Skydance still carries exposure: legacy TV, pressured streaming economics, a model that swings with cycles it can't control. Warner Brothers doesn't remove that exposure but spreads it across more libraries, franchises and revenue streams.

Why does politics come into it?

Warner Brothers owns news outlets, which is where regulation and politics enter. Netflix doesn't run a big news network and can't offer reassurance about editorial direction. The Ellisons can.

Media consolidation is money, regulation and permission tangled together. The winners won't have the best content. They'll be able to close deals in a world where owning media is a political asset as well as a financial one.

Who should own Hollywood studios?

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Quick answers

What did Larry Ellison do?

Huw says he personally stepped in with a guaranteed $40 billion to make the financing unquestionable.

What does Netflix want from Warner Brothers?

Studios, IP and production capacity, so it no longer has to rent them.

Why do news outlets matter?

Warner Brothers owns them, so regulation and politics enter, and the Ellisons can offer reassurance on editorial direction that Netflix cannot.

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